Exercise 4.2 - Travels in Hyperidentity Context: "Titled "Bodies in Space," it will consider how the body is mediated by both virtual and physical space. The first section, "Radical Identification: The Body Online," is guided in part by a reading of Laura Mulvey's "Visual Pleasure and Narrative Cinema" and convenes artists who seek radical sources of personal or sexual identification in the internet age: Bunny Rogers's self-portraits as a mop or cat urn, Ann Hirsch's retelling of her preteen online relationship with an older man, or Laurie Simmons's photographs of the "doller" subculture. The second section, "The Body in Public," focuses on the organization of the body in public space and focuses on Magali Reus's custom-produced stadium seating, Alice Channer's floppy clothing cast in aluminum, and Nicolas Deshayes's slightly skewed public interior architecture. Lastly, the work of AIDS-3D, which ...
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