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Reading Response Compilation

Claire Bishop - Digital Divide While reading this article, I found it very interesting to see Bishop talk about research and curative work. In the past I wouldn’t think of curation or researching art to be an art form. However, after reading the portion about collecting pictures of Niagara Falls, I realize that it can be a form of art within documentation.  I often times perceive digital art as lesser than other forms of art because I think we have taught to think that way. When more people have access to creativity, it seems that it has a lesser value. I also think this is due to the fact that there is no limit to the art you can find, however this is different when you go to physically see pieces in a museum for example. The museum has a certain number of exhibits and you regard them as important where as the content online is endless and therefore easier to access and worth less.  Mark Fischer - The Slow Cancellation of the Future Although the idea of change t
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Rest of responses

Erol Morris Reading In the article "Will the Real Hooded Man Please Stand Up" Errol Morris touches on the tragedies of Abu Ghraib, and essentially, how an image has the capability of building a story. Sometime during the war with Iraq in 2003, Abu Ghraib was where central intelligence agents of the United States violated various individuals' human rights by dehumanizing and torturing several of these prisoners of war. The original haunting images were released around 2003. Three years later, the  New York Times  came out identifying the individual in one of these photos as being the hooded man in the photo; when in reality, he wasn't. There were a lot of concepts from this article that, in the majority, had me thinking about the complexity of what is released and if we view them as true or not. But more importantly, what and how something becomes apart of history; and the perspective importance of it. This article mainly made me get a little upset in the way in w
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Exercise 4.2 - Travels in Hyperidentity Context: "Titled "Bodies in Space," it will consider how the body is mediated by both virtual and physical space. The first section, "Radical Identification: The Body Online," is guided in part by a reading of Laura Mulvey's "Visual Pleasure and Narrative Cinema" and convenes artists who seek radical sources of personal or sexual identification in the internet age: Bunny Rogers's self-portraits as a mop or cat urn, Ann Hirsch's retelling of her preteen online relationship with an older man, or Laurie Simmons's photographs of the "doller" subculture. The second section, "The Body in Public," focuses on the organization of the body in public space and focuses on Magali Reus's custom-produced stadium seating, Alice Channer's floppy clothing cast in aluminum, and Nicolas Deshayes's slightly skewed public interior architecture. Lastly, the work of AIDS-3D, which
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Hyperidentity

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I think it's cool how even though Tom Brady is one of the most famous athletes in the world he still shares his private life with the world, but at the same time his life is full of houses and cars and vacations that the normal person could never dream of having.
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Exercise 4.2: Hyperidentity

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Exercise 4.2

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I chose Kendall Jenner's Instagram because of how it is a mix of her showing "her personal life" but also her modeling career and family and everything. but in reality, it is still all particularly chosen to show a specific persona. something relatable but also unachievable. I included an image of her saved stories because this is her literally categorizing her life into little bubbles and labeling them.
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Travels in Hyper Identity

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It's not unlikely to imagine an existence in the next sphere of human corporality. Wether influenced by technological factors, evolutionary, or more likely both, I think it's not improbable that our bodies will modify, transgress and break the boundaries of our current human skin. While it's all speculation, a small, ghostly version has already occured-through our digital presence aka trans-bodily internet expressions. Internet clones, 'deepfakes', impersonation, we've already encountered a potent combination of expressing internal consciousness within a different set of parameters. No matter what, I think it we consider ourselves human, we will consider ourselves to have a body. "These artists encourage us to revel in the materiality of our own anatomy, regardless of how far we've traveled from it." From Patricia Piccinini : Graham The comforter The naturalist Wether we interpret this externally or internally is a complex aspe
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